Brannan Lane
Brannan Lane is an award-winning artist and producer of Ambient music. His work can be heard on Dateline NBC, Spike TV, Univision, Outdoor Channel, and Sony Play Station. Brannan's warm sonic textures emit a relaxing energy that pushes its way into your senses, bringing you into a celestial dream-filled coma. ... more
If you like Two Spirits, Part I, you may also like:
Atmosphere for Dreaming
by Steve Roach
supported by 8 fans who also own “Two Spirits, Part I”
This is my go to album for creativity and for escaping to another amazing place. Thank you for this beautiful creation.🌹
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Ancient Machines
by Forrest Fang
supported by 7 fans who also own “Two Spirits, Part I”
Exceptionally transporting sonic wizardry in carving abundantly blossoming and intriguingly enigmatic earmarks persistently permeated by infinitely delightful and peculiarly scented perfumes. Luxuriantly colored palette, where Middle and Far East ambrosial signatures constantly juxtapose with Western imbued and warmly embracing panoptic quietudes. As much dazzlingly indigenous and spellbindingly spirited as sonorously contemplative and euphoniously halcyon Multi-instrumental bravura!!!
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Temple of the Melting Dawn
by Steve Roach & Serena Gabriel
supported by 7 fans who also own “Two Spirits, Part I”
Serena's music heals my soul, thank you for this invaluable gift
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The Glider
by Nick Garbett & Mike Majkowski
Garbett's jazz trumpet co-mingles with Majkowski's lush ambient grooves on this texturally rich collaborative album.
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The latest album from Perth producer Phil Stroud offers a mesmerizing vision of "artificial sonic ecosystems," ambient at its most organic.
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Everyday Exotic
by Slow Reels (Ian Hawgood and James Murray)
The experimental ambient duo of Ian Hawgood and James Murray complement downtempo beats with meditative electro-acoustic textures.
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Atmospheric Twilight
by Max Corbacho
supported by 7 fans who also own “Two Spirits, Part I”
Yet another great release from Max, full of mystery, suspense and intrigue. The impending quiet and stillness is apparent in this work.
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